Book Reviews

HOUNDING THE MOON
P.R. Frost
DAW, $24.95, Hardback, 370 pgs.
In this first book in the Tess Noncoiré adventures, Tess, a best-selling author and demon fighting Sister of the Celestial Blade Warriors, finds herself in the middle of a war between humans and demons. The two sides fight for possession of a mystical Native American blanket that prevents demons from invading the human dimension. Tess's imp side-kick, Scrap, steals the show.  He's crass, annoying, repugnant and absolutely adorable with a fondness for ladies' fashions. He may be good for a laugh, but he becomes deadly when he transforms into Tess's Celestial Blade. The characters are well-paired for their scrappy fierceness and gentle vulnerability. Along the way, Tess and Scrap are joined by a quirky band of friends, and if you've attended some of the West Coast conventions, don't be surprised if a familiar face or two appear at some of the cons Tess attends for her day job. Eastern Washington's rugged high desert terrain lends an air of ancient mystery and provides the perfect backdrop for the mysticism of Native American legends and the magic of other worldly dimensions woven through the story. This book was a fun read. 
—JEN WEST
 
BOARDING THE ENTERPRISE:: Transporters, Tribbles and the Vulcan Death Grip in Gene Roddenberry's Star Trek
David Gerrold & Robert J. Sawyer, eds
BenBella Books, $17.95, Trade, 214 pgs.
Celebrating Star Trek's 40th anniversary, this collection of essays examines the show's history and impact with contributions by science fiction writers, scholars, philosophers, and fans. For longtime Trek fans, some of this material, especially by Gerrold, D.C. Fontana, Norman Spinrad, and Allan Steele, will be familiar territory. But other essays are novel, thought-provoking, and written with lively voices that draw the reader in. Eric Greene's in-depth examination of the Prime Directive and the show as Vietnam War metaphor is a particular stand-out. Robert A. Metzger's paean to engineers in general and Scotty in particular felt like an overdue appreciation. Melissa Dickinson's look at the reasons for and the appeal of fan fiction is an intelligent and respectful analysis of fan participation. Paul Levinson's essay on how Trek created modern television is a well-contructed argument about the evolution of niche programming. With only one exception—a pedantic, humorless exploration of identity in Trek by Lyle Zynda—the book is a fine addition to any Star Trek fan's library, but more than that, it's a smart, thorough look at one of the 20th century's most enduring pop culture phenomena, and well worth the read.
—JANNA SILVERSTEIN
 
THE PRIVILEGE OF THE SWORD
Ellen Kushner
Bantam Spectra, $14.00, Trade, 400 pgs.
Ellen Kushner returns to the magical city and characters of Swordspoint with an equally worthy 20-years-after sequel in The Privilege of the Sword. And while Privilege is accessible without knowing the earlier story, readers who've missed out on Swordspoint's pleasures surely will want to remedy that without delay. While Alec, St. Vier and Lord Ferris — the main players in Swordspoint — all play significant roles in Privilege, the focus in this new story is on Alec's niece, Katherine, and on chance acquaintance Lady Artemisia Fitz-Levi. Katherine, brought to the city from an impoverished childhood, finds her mad uncle has no glittering season of balls, gowns and beaux in mind for her, but rather hard training in the man's world of the sword. Artemisia, by counterpoint, seems to have everything Katherine has dreamed of as she lands the catch of the marriage market. How Katherine handles the scandal of her training as a swordswoman and how Artemisia realizes the tawdry reality behind her gilded life make for an engaging tale that turns everyone's lives upside down. Don't miss it.
—RENEE STERN
 
WARRING STATES
Susan Matthews
Meisha Merlin, $16.95, Trade, 395 pgs.
Susan R. Matthews reaches a turning point in her new Jurisdiction novel, Warring States, that wraps up some ongoing plot threads and unspools promising new ones. Just as events start to turn in Andrej Koscuisko's favor, with an honorable end at hand to his tormenting service as a government torturer, society in Jurisdiction space begins to collapse around him. The compromises holding this complex commercial and social network together begin to fail test after test, and Andrej's dreams of peaceful retirement to home and family are shattered. Matthews uses multiple viewpoints to detail this pivotal point in her series, but weaves the storylines together frequently so the players Andrej, Bench Specialists Jils Ivers and Karol Vogel, and Andrej's former crewmates from the Scylla — can pull together answers to the mysteries and dangers they face. This is not a series readers can drop into easily midway through, and Warring States does require either a recent read of previous books or a better memory than mine to pull together all the necessary pieces of backstory. But the series, and the latest installment in particular, is worth the effort. Andrej and several characters are bound next for Gonebeyond, and their adventures there outside Jurisdiction space should provide more thrills.
—RENEE STERN
 
PHANTOM
Terry Goodkind
Tor, $7.99, Massmarket, 756 pgs.
Where Chainfire was about Richard Phantom, it's sequel is primarily about Kahlan, who is still forgotten by the world at large. The cause? A massive spell, of course. But how to undo the effects of a spell that has not only altered peoples perceptions of reality but reality itself? And what about the approaching horde of Jagang the Just's army threatening to turn the world into a charnal house? You'll be surprised. The central thesis that worms its way like the message of a virulent marketing campaign through all of The Sword of Truth series is that people are sometimes too stupid to realize how stupid they are. No, seriously, that's the point of the books. It's a message cum morality fable told as an epic battle of the forces of unthinking followers whose blind faith leads them to rape, pillage, and destroy in the name of a corrupt philosophy that right thinking men of reason can plainly see is antithetical to the pursuit of life, liberty, and happiness. There are points at which some may want to throw their hands up and declare: Bags! I'm getting tired of Mr. Goodkind's moralizing. But if you do you'll miss the morality fable Mr. Goodkind has constructed. And it's a pertinent fable for our time that speaks to current events in the Middle East. To be perfectly honest Mr. Goodkind's writing can be grating at times but, for those who stick it out, there is an interesting story beneath the hyperbole and moralizing. There's romance, action, magic, suspense, and prophecies about final battles and saviour figures meant to lead the forces of reason against the rampaging hordes of darkness.
—C. DEMETRIUS MORGAN
 
CHAINFIRE
Terry Goodkind
Tor, $29.95, Hardback, 587 pgs.
I'm not sure what to make of the 9th novel in Terry Goodkind's The Sword of Truth series. On the surface it's about Richard's search for Kahlan when he wakes up one morning and she's not there. Problem is he was attacked and had to be healed with magic, and when he recovers, everyone around him assumes he is delusional since they have no memory of this Kahlan person ever existing. So essentially the entire book is Richard trying to find Kahlan, or at least information about where she is, while desperately trying to convince everyone around him that he's not imagining things. But how to convince friends and allies something is terribly wrong when their memories tell them everything is perfectly fine? The novel is essentially one long tale exploring psychological self doubt and the nature of reality, a premise that is a bit tedious at times. But there's also a intricate story involving deeper questions about the nature of reality and life. For those who have complained that past books in the series were full of pointless, if sometimes entertaining, digressions, gratuitous bondage-related sadomasochistic mind games, or whatever, know that Chainfire is a novel whose central plot revolves around prophecy and magic. It may not have elves or unicorns but it does have Sisters of the Dark and Sliphs. And one very anxious Richard Rahl.
—C. DEMETRIUS MORGAN
 
THE LIES OF LOCKE LAMORA
Scott Lynch
Bantam Books, $23, Hardback, 499 pgs.
While Scott Lynch's debut novel may superficially include every cliché of high fantasy — thieves, nobles, and magic users all set in a city-state teaming with intrigue — it is, indeed, much more. Locke Lamora is the most notorious con artist in the city of Camorr. His gang, the Gentlemen Bastards, are launching their next big sting. But a mysterious interloper is challenging Capa Barsavi, the leader of Camorr's underworld, and in the process, he's bringing his trouble right to Locke's door. How Locke meets the challenge is what makes Lies so entertaining. This book isn't about nice people. It's about clever, scheming people with big ambitions and no respect for rules. It's about people with gifts for creative thievery, human butchery, and impressive profanity. Lynch's worldbuilding is rich and meticulous, his characters are engaging and well-realized, and his writing is sharp. But Lies isn't a perfect book. Locke's big choice at the end of the novel made me scratch my head a little; it didn't feel quite as characteristic as the author seemed to think it should. Lynch, a game designer, occasionally seems a little too infatuated with the world he's created. But I grant it's a world worth exploring. Word has it he's planning more stories of the Gentlemen Bastards. If he realizes his own ambitions, then he's laid a fine foundation for what's to come.
—JANNA SILVERSTEIN
 
PRETENDER
C.J. Cherryh
DAW, $25.95, Hardback, 327 pgs.
With Tabini still missing and the countryside seething with rebellion, Cameron must use all his wit and skill to locate allies as he and his atevi bodyguard make a mad dash across the countryside. Of course Cameron is a lone human amidst a population of atevi, not all of whom trust humans. Pretender pretty much picks up where Destroyer left off; indeed, it could have been included as part of that novel. Thus, readers will need to know what has gone before. Will Cameron find Tabini in time to restore peace in the aishidi'tat and planetary stability before the alien Kyo come for a visit? Perhaps, but he'll have to survive Tatiseigi and get to Shejidan first! I have to admit to being a bit reluctant about the direction of this arc at first. I really wanted to read a bit more about the Kyo and see how the survivors from Reunion would integrate into the world of the atevi. However, Cherryh realized just how boring this would be, and rather than take the route of the moralistic pseudo-fable that some authors have resorted to, has decided to throw a wrench into the works. It's great to see an author willing to take a chance and turn her world on its ear. It certainly makes for a more interesting read.
—C. DEMETRIUS MORGAN
 
DESTROYER
C.J. Cherryh
DAW, $7.99, Massmarket, 406 pgs.
First entry in the newest Foreigner trilogy arc. As the seventh book in the series this has a wealth of background to build upon, though doesn't do much with it. For those who felt the previous book spent too much "in between" time on character exposition and not enough on action, Destroyer sees Brent Cameron and company returning to a world in disarray. In their long absence the aishidi'tat of the Western Association has fractured, Tabini (its rightful leader) is missing, and the human and atevi populations seem to be on the brink of full out war. One question burns on everyone's mind: will Cameron and the aiji-dowager locate Tabini and find out what's happened in time to stave off disaster? For those who've never read any of the Foreigner novels, this series is worth the investment. And I don't just mean money. Character development is good, the plot progresses in interesting and sometimes unusual directions, and, best of all, the stories are free of the usual contrived plot devices and gimmicks that litter so many of the longer running science fiction arcs. Kudos to Cherryh for managing to steer clear of the lure of capricious time travel plots, silly prequel digressions, or heavy-handed use of technobabble as fluff padding to get a higher word count.
—C. DEMETRIUS MORGAN
 
A SHADOW IN SUMMER
Daniel Abraham
Tor, $24.95, Hardback, 331 pgs.
Ok, go buy this if you care about fantasy at all. Because Abraham needs good numbers to get more contracts to write more books we can all read and by which he can advance the quality and direction of the field. The story is interesting, a well-plotted and fairly clever caper set against a strongly realized background of politics and economics. But the world-building...that knocked me back solid. Abraham's skill at sketching in a exotic setting that stands outside the default faux-European fantasy tropes is powerful, but especially his construction of the society and its mechanisms, including one of the most amazing and moving realizations I've ever read of the idea of magical power. His dynamic of the andat, and the character of Seedless, astonished me. Fresh, different, and strange in all the best ways. Go read.
—JAY LAKE
 
DEFINITELY DEAD
Charlaine Harris
Ace, $23.95, Hardback, 323 pgs.
Charlaine Harris delivers more fun in Definitely Dead, the latest installment in her mystery series about telepathic waitress Sookie Stackhouse. But while the mystery takes Sookie to New Orleans for the first time and pulls her deeper into the supernatural world, the story's main impact is on her many tangled relationships. Some troublesome situations that she's struggled with for the past few books get sharp and shocking resolutions — though with potential to haunt her later. To balance that, Sookie's love life finally is looking up. My one quibble is that the triggering event — the murder of Sookie's vampire cousin —  takes place offstage and months in the past, leaving me slightly disoriented. Later in the story a ghostly reenactment of events just before that murder helps fill in the blanks and gives the character, and her death, weight beyond plot machinations. Repercussions are sure to play out in the next book, from an upcoming vampire summit to brother Jason's relationships with local were-panthers. Even juicier is a hint that the anti-vampire cult Sookie foiled in an earlier book is drawing nearer.
—RENEE STERN
 
THE LAST MORTAL MAN
Syne Mitchell
ROC, $6.99, Massmarket, 426 pgs.
The Last Mortal Man is the first book of the Deathless series. In the Twenty-second century, the very rich and influential live in a paradise where body modifications are only limited by imagination. For many, death has become a thing of the past, and the world can literally be shaped by mere thought alone. Then a new weapon of mass destruction is created that can reduce the new technology, nanobiology, to its molecular particles, killing billions and destroying entire regions of the planet. Mitchell holds nothing back in this story. Women, children, young and old are fair game in the path of destruction. She tells a gripping story with characters who ask hard questions and make difficult decisions. Her characters are interesting and complex. The good guys are not necessarily all good, and the bad guys are not entirely irredeemable. I enjoyed the book, and I look forward to the second book when it hits bookstores.
—JEN WEST
 
SINGER IN THE SNOW
Louise Marley
Viking, $16.99, Hardback, 304 pgs.
Although I've not read the original trilogy about the world of Nevya, Singer in the Snow pulled me in and effortlessly transported me to the ice planet. This is a fabulous stand-alone novel that SF and Fantasy readers of all ages will enjoy, even with its "young adult" sensibility. Louise herself said the only difference in this book from her others in terms of content is that the protagonist is a young adult. I'll add that there are no overt sexual situations or profane language here either, probably another requirement. On Nevya, summer comes once every five years, and the power of Singers are needed to hold back the cold. In Singer in the Snow, we follow two women: Mreen, a Singer without a voice who must begin work at her first job away from Conservatory, and her interpreter Emlee, whose inability to successfully channel her own psi in order to perform the critical quiru has made her doubt herself. Eventually, she is put to the test. And there's the young apprentice Luke, who is at odds with his father Axl, and there's Luke's younger sister Gwin, who has developed her own Gift. Axl is as bad as they come, does the bidding of others, but has plans of his own. Marley makes you hate him and sympathize with him almost simultaneously by the end of the book. But of course we connect the most with the marvelous female protagonists, and we cheer them on from within the comfort of the quiru Marley creates for us with prose that sings. Nevya is a cold and cruel world, but Marley's writing is warm and inviting. I hope to see more books from Marley in this universe.
—PATRICK SWENSON
 
POLYPHONY 5
Deborah Layne & Jay Lake, editors
Wheatland Press, 19.99, Trade, 419 pgs.
 
Polyphony 6 will be out a few months or so from now, so it's time to make sure everyone knows about the current volume in this critically acclaimed anthology series. Although considered to be a harbor for slipstream and oddball work, this edition seems to have more traditional pieces. It’s not as strong as earlier volumes, but it still delivers excellent stories. And, as my bookshelf clearly shows, each volume has been getting larger and larger, so by sheer volume you have more excellent stories than any previous Polyphony. (Just not ultra-fabulous stories.) Number 5 collects over 400 pages of fiction. I enjoyed Ray Vukcevich’s mildly psychedelic “Tongues,” and, would you believe it, a second story titled “The Tongue” by Brendan Connell about…well, a missing tongue. Oddly amusing. (We published a story about missing breasts in a Talebones story last year, so why not?). Two of the strongest stories were Alexander Lamb’s “Ithrulene” and the late d.k.g. Goldberg’s "A Love For All Time.” There are also strong stories here from Theodora Goss, Tim Pratt, Bruce Holland Rogers, Rob Vagle, and Leslie What. You can find a copy of this volume and read through it before Number 6 arrives. Check out Wheatland’s website for more information.
—PATRICK SWENSON
 
MINDSCAN
Robert J. Sawyer
Tor, $6.99, Massmarket, 367 pgs.
Robert J. Sawyer's books do what I wish all SF did: include good scientific extrapolations without sacrificing story. Sawyer tells a very human story while exploring the idea of consciousness and identity. James Patrick Kelly's story "Think Like a Dinosaur" comes to mind. Jake Sullivan, in an effort to escape an illness that happened to his father, has his mind scanned (it's not cloning, it's copying, and a cool concept: quantum entanglement), depositing his consciousness into an artificial body. Then the real Jake goes to the far side of the moon to wait (in luxury) for the inevitable. But a possible cure is found and Jake is stuck on the moon, and his instability makes him do something...bad. A courtroom drama ensues, and things get a little heavy as the sides battle it out, trying to determine the rights of a mindscanned "human." The pace slows a little here, but the end-result is extremely satisfying. Sawyer extrapolates his science from current, cutting edge technology, and he never flinches in postulating where we could be heading. An excellent cautionary tale.
—ROBERT BOYER
 
HEADSTONE CITY
Tom Piccirilli
Bantam, $5.99, Massmarket, 302 pgs.
I've thoroughly enjoyed Piccirilli's work in the past. His Southern gothic novels (A Choir of Ill Children and November Mourns) were a pleasure to meander through. Now, with Headstone City, Piccirilli takes us to Brooklyn. Piccirilli knows Brooklyn, having lived in New York for quite some time. He gets it right. And he gets my vote for this being one of his best books to date. It starts much the same way as November Mourns did, with the protagonist getting out of jail — he got kind of a bum rap — and heading home to some typically Piccirilli weirdness. Johnny Danetello (Dane) can see ghosts, and he spends a lot of time sounding them out while trying to fit in with (or avoid) the Mob, and figure out what's happened to his life now that he's out of the slammer. Johnny's family history is not great (surprise, surprise), and this all helps shape the novel, which reads smoothly. It's literate and imaginative, filled with atmospheric bundles of joy, humor, and horror. Piccirilli extends far beyond the horror genre, and his new publisher sees that and is starting to market him as the versatile writer he is. I'm anxious to get a hold of his next, The Dead Letters, but for now, you get a hold of this one, and see if you agree with me: Piccirilli is a writer more people should know about.
—ROBERT BOYER
 
STAR WARS ON TRIAL
David Brin & Matthew Woodring Stover
BenBella, $17.95, Trade, 386 pgs.
 
Everyone loves…to hate Star Wars. (Or hate to love it?) Or maybe it’s George Lucas who’s on trial here in this collection of essays by SF and Fantasy writers. It starts with a courtroom setup, and opening statements by Brin (the Prosecution), and Stover (the Defense). It’s easy to see why Brin was chosen for doing the slamming—his infamous article that appeared on Salon.com is brought up several times here. A number of charges are brought up against Star Wars, eight of them in all, including: “The Politics of Star Wars are Anti-Democratic and Elitist” and “Star Wars Pretends to be Science Fiction, but is Really Fantasy” to state just two. A droid judge keeps order during the proceedings. Each SF author has written an essay for one side or the other. For example, Scott Lynch’s essay is entitled “The Son of Skywalker Must Not Become a Jackass (or Finding the Ethical Core of the Star Wars Films by Ignoring the Ghosts and Muppets)." He’s a witness for the Defense. After the essay, Brin questions the witness. This happens after each essay (whether regarding charges about ethics, religion, sexism, etc), and either Stover or Brin gets to redirect, depending on who is testifying. Other expert witnesses include such writers as John C. Wright, Laura Resnick, Kristine Kathryn Rusch, Tanya Huff, Bruce Bethke, and Jeanne Cavelos. The conceit of this volume is wonderful, and it’s a kick to read. After closing arguments, a verdict is reached. Well...maybe not. Adding to the uniqueness of the book, YOU are the jury, and you get to vote on each of the eight counts against Star Wars by going to this website. Okay, it’s not an actual vote, but a message board, lightly traveled so far, but anyone who didn’t get enough opinions in the book can find more here. 
—PATRICK SWENSON
 
KITTY GOES TO WASHINGTON
Carrie Vaughn
Warner, $6.99, Massmarket, 321 pgs.
 
It's rare to find a story that ensnares you with the first line, entices you to stay up past your bedtime to read just one more chapter…and then another…and then another…and then leaves you with that twinge of sadness that creeps into your head when you know a wonderful story is coming to an end.  And Carrie Vaughn did it twice. Kitty Goes to Washington picks up a few months after the events of Kitty and the Midnight Hour. At first glance, Kitty Norville, a Denver radio DJ and closet werewolf, appears to be an average twenty-something floundering in a post-college career fog. Then she accidentally starts "The Midnight Hour," a late-night talk show appealing to the disillusioned and dysfunctional creatures of the night. Due to the popularity of the show, Kitty not only comes out the closet, but is subpoenaed to testify at a hearing in Washington D.C. led by an oversight committee of the U.S. Senate and a right-wing, conservative, Bible-thumping senator trying to prove the existence — and moral implications — of supernatural beings such as werewolves, vampires and the like. Once again, Vaughn turns on its head the common campfire stories of blood sucking fiends. Her werewolves and vampires act outside the common B-movie stereotype.  Although Vaughn expertly gives her characters specific werewolf or vampire traits and tendencies, she also writes them with a depth, feeling and vulnerability that is unmistakably, well, human. I have been completely ensnared by these two novels, and Vaughn has left me hungry for more. Unfortunately, I'll have to wait until Spring 2007 for the next Kitty installment.
—JEN WEST
 
DEAD BEAT
Jim Butcher
Roc, $7.99, Massmarket, 435 pgs.
If you've been reading Jim Butcher's Harry Dresden series from the beginning, it's worth taking a moment as you read Dead Beat to look back at how far Chicago's only consulting wizard has come. (And if you're not familiar with the series, you'll want to hunt down the earlier installments to understand just how much trouble Harry faces now.) Harry is still a hard-bitten, wise-cracking hero in the best noir detective style. But the haunted lone wolf who avoided relationships of any sort has gradually acquired — and sometimes lost — friends, lovers, family and even a pet. And, of course, more enemies than he deserves, but nothing keeps him down for long. Butcher exceeds expectations in Dead Beat, finding new twists and tougher challenges for Harry and his circle. Even better, one of those twists launches Harry to a new level for future stories that I'm eagerly anticipating.
—RENEE STERN
 
THE BLACK POWDER WAR (SERIES)
Naomi Novik
Del Rey, $7.50, Massmarket, 356 pgs.
Naomi Novik's historical fantasy series — His Majesty's Dragon, Throne of Jade and The Black Powder War, released in quick succession — start from a premise that's so obvious in hindsight that I'm amazed no one hit on it before. But Novik tackles it with a zest and sparkle that make the wait worthwhile. Novik sets her stories during the Napoleonic War, but adds dragons. Picture Hornblower or Aubrey and Maturin crossed with Pern for an idea of the rollicking adventure in store. Capt. Will Laurence and Temeraire, the dragon he accidentally pairs up with, make an ideal match: heroic, honorable, and insightful. And as outsiders in their own fashion, they see the flaws in their worlds and risk challenging the status quo. Novik hasn't quite convinced me that military and political history that incorporates dragons back to at least the Romans would track so closely to our own, but the story caught me up so tightly and quickly that I had to set aside quibbles until after I'd turned the final page. And with a teaser in Black Powder for the fourth book that leaves England's dragons and the entire country in nail-biting peril, those quibbles continue to be overshadowed by the story.
—RENEE STERN
 
DEAD AS A DOORNAIL
Charlaine Harris
Ace, $7.99, Massmarket, 310 pgs.
Sookie Stackhouse's adventures in Charlaine Harris' Dead as a Doornail continue to draw the small-town Louisiana waitress and telepath deeper into the hidden, and often violent, supernatural world that coexists with ours. This time around someone is gunning for werewolves and other shifters, a group that now includes her recently bitten brother. These troubles, and the power struggles in a nearby werewolf pack, also introduce two new vampires to the roster of undead already familiar to fans. Like the earlier books in Harris' series, Doornail is fast-paced fun with a character who continues to grow and change. From the young woman afraid to date in the first book because of the unwelcome insights her telepathy brings, she has blossomed into a confident woman with suitors on all sides. Sookie may struggle to make ends meet and to survive among supernatural circles whose powers outmatch hers, but she holds her own with a style all hers. Future books no doubt will bring even more exciting challenges.
—RENEE STERN
 
LEGACY OF THE FORCE: BETRAYAL
Aaron Allston
Del Rey, $25.95, Hardback, 400 pgs.
“He doesn’t exist.” These are the opening words of this new era in the ongoing Star Wars saga. Spoken by Luke Skywalker, they hint at a shadowy enemy, one who indeed doesn’t exist—not yet, anyway. However, the new Jedi order has a more immediate problem—a growing unrest that could turn into another civil war on the galactic scale, one which will be more devastating than the Yuzhan Vong invasion a decade ago. If it comes to pass, families will be split right down the middle, and the only victims will be innocents, because this war will have no right or wrong side, no clear evil to fight. But none of this is known from the start. Through excellent depictions of the characters, and moving, vivid descriptions of the environment, Aaron Allston slowly unveils the whole plot, piece by agonizing piece. His master storytelling will leave you breathless, drawing you in until you are utterly engrossed, and even when you have an urgent appointment, you’ll discover that you won’t want to put it down. Once you pick it up, you’ll find yourself reading it from cover to cover, but it won’t be enough, as you’ll be eagerly awaiting the next book in the series.
—NEAL GATES
 
THE TIME TRAVELER'S WIFE
Audrey Niffenegger
Harvest/HBJ, $14.00, Trade, 560 pgs.
If the broad definition of science fiction is literature that deals with the influence of real or imagined science on society and individuals, then The Time Traveler's Wife certainly qualifies, despite having been published as mainstream fiction. Henry DeTamble suffers from stress-induced, instant, uncontrollable time traveling. One minute he's in the present and the next, he's somewhere else in time, naked and disoriented, usually somewhere in his own past or future. But this story is far less about the mechanics of time travel and much more about how it affects Henry, his lifelong love Clare, their family and friends. Henry's predicament allows the author to explore relationships in a unique way while, at the same time, hitting many of the time travel tropes we're familiar with and managing to make some of them pretty fresh. Hard-core time travel fans may want more information about how Henry's time traveling works, and the book does touch superficially on an explanation. But such readers may be dissatisfied with the tight scope of the novel, which focuses on the personal perspective—Henry's adult life and relationship with the title character—rather than the historical (with one brief exception). Overall, its approach is more characteristic of mainstream fiction than genre. But Henry's knowledge of the future intensified this reader's suspense and curiosity. The mysteries of how he lives with such a condition and its many implications kept me turning pages. Clare and Henry's love story is poignant and compelling. The writing is quite fine, and I thought the novel well worth the read.
—JANNA SILVERSTEIN
 
DOPPELGANGER
Marie Brennan
Warner Books, $6.99, Massmarket, 388 pgs.
In her debut novel, Marie Brennan creates an exciting fantasy adventure set against a backdrop of political and religious intrigue. In order for a witch to access and control her magic, a doppelganger is created shortly after her birth, and then it is killed. The doppelganger represents the Void, a nothingness that is anathema to the witches' magic. When the witch Primes discover Miryo's doppelganger, Mirage, survived, they order Miryo to seek her out and kill her before her magic spirals out of control. But Mirage is a lethal hunter and won't be easy to kill. Brennan's plot twists, character development and elaborate world-building keep the story fresh and interesting. She maintains a quick pace by infusing the novel with cross-country chases, dangerous magical experiments, and bar room brawls. Brennan also skates along the edge of some larger social issues but leaves most of the debate and conclusions to the reader. Doppelganger is a fast and enjoyable read. I look forward to the sequel, Warrior and Witch, set to hit bookstores in October 2006.
 
—JEN WEST
 
THROUGH WYOMING EYES
Ken Rand
Yard Dog Press, Chapbook, $6.00, 46 pgs.
Ken Rand rides again in this colorful, humorous smattering of tales. Rand and Yard Dog Press have worked together several times before (The Golems of Laramie County and the first Lucky Nickel Saloon chapbook). In this new chapbook, Ken gives us five stories inspired by the state that has a special place in his heart. He goes back to visit whenever he can, in person, or in fiction. Three of these stories have never seen publication, so you’re in for a treat. “Mr. Gibber Saves the Day” is a new story set in his popular Lucky Nickel Saloon. The contents page not only lists the stories, but tells what part of Wyoming each story is set, which the exception of the Lucky Nickel story, but everyone who knows the Saloon knows it lives in Laramie. This time, strangers battle it out in Saloon-approved contests, with the Saloon itself on the line. The oddest contest of all turns out to have a howling good twist at the end. Rand does his usual Old West twang, complete with grammatical oddities and hilariously appropriate said-bookisms. The other stories entertain as well, so regardless of your preference, you’ll find this slim book worth its weight in specialty paper. You’ll find it for purchase on the Yard Dog Press website or Ken Rand's personal website.
—PATRICK SWENSON
 
SEPARATE DESTINATIONS
Kendall Evans & David C. Kopaska-Merkel
Byrenlee Press, Chapbook, $7.00, 40 pgs.
Byrenlee Press has exactly two books in its catalog to date. One of them is a World War II memoir. The other is this slim chapbook by Evans and Kopaska-Merkel. Talebones readers might recognize Kendall Evans’ name; he has been in the magazine several times. The chapbook is introduced by another Talebones alum, Mike Allen. Fiction readers know that writers sometimes collaborate on stories and novels, but collaborative poems? Well it is so. The poems within are longer, narrative poems, rarely straight-forward, often mind-bending. I recognized Evans’ ability to experiment with layout and the way a poem lives on a page. The poets say it best, as far as where this collection takes you (and forgive me, because I’m unable to format the poem the way I found it on the page): “In alien woods where arching limbs compose cathedrals emerald and strange, where the fruit of the tree of life is no more forbidden than is death…And will I see you there?” This is the “destination” of Kopaska-Merkel and Evans, two accomplished SF poets working together to create work that is anything but “separate.” They have fused together into one powerful, quantum voice. Angela Mark provides the cover and the excellent interior line art. To get this one, you’ll have to visit the Byrenlee Press website. For poetry lovers, it’s worth taking the time to surf over there.
—PATRICK SWENSON
 
DOCTOR WHO: A CRITICAL READING OF THE SERIES
Kim Newman
British Film Institute, $19.95, Trade, 144 pgs.
The BFI TV Classics series aims to examine key television shows and offer arguments for "classic" status. I was surprised, therefore, to discover this book as volume four instead of volume one, given that Doctor Who holds the same position culturally in the UK that Star Trek holds in the US: a seminal science fiction TV series that changed the face of the genre. Kim Newman (who has written Doctor Who fiction alongside his own remarkable original work—Anno Dracula, for example) approaches the series chronologically and with a broad eye, viewing the show in context of culture, other TV and movies of the period, and in the way it influenced that which came afterward. He traces the development of the eponymous character through each actor's performance with a sharp eye, spending less time on the companions and giving appropriate examination to production considerations that influenced storytelling. New fans of Doctor Who might find the depth and density of this relatively slim book a little overwhelming. I did every now and then; the coverage is exhaustive in every sense of the word. But Newman's encyclopedic knowledge of the series and his easy, approachable (and occasionally delightfully snarky) prose make the book a pretty engaging read. Veteran Who fans will find much here to discuss and debate. Newman completed a draft of the manuscript just before the debut of the 2005 revival of the series, then went back and updated it to the end of the first new season, so the book is as up-to-date as possible at this writing.
—JANNA SILVERSTEIN
 
PANDORA DRIVE
Tim Waggoner
Leisure, $6.99, Massmarket, 370 pgs.
Twenty-year-old Damara makes people’s dreams come true. Literally. Even the bad ones. To say Damara had a rough childhood would be an understatement, for her father and brother disappeared in separate incidents. She’d been keeping her power to bring out the worst in people at bay, but now things aren’t turning out so well. A childhood friend returns to her neighborhood, making the problem worse. There’s another neighbor who’s as weird as they come, perverted and dangerous, and more and more bizzaro stuff happens as Damara's ability goes berserk, affecting all around her, bringing their wild dreams and nightmares to life. Soon we are into nightmares, blood, gore, and sex. Waggoner does not hold back on this, so be warned. Pandora Drive moves at a brisk pace and shoots ahead in linear fashion (even though it gets flipping freaky). I like Waggoner’s writing and will have to go back and catch his earlier work, such as last year's Like Death, which received strong critical attention last year. 
—ROBERT BOYER
 
SPOOK: SCIENCE TACKLES THE AFTERLIFE
Mary Roach
W.W. Norton, $24.95, Hardback, 311 pgs.
What happens to us after we die and how do we know? Author Mary Roach, like so many survivors of parochial school, wasn't satisfied with the answers the nuns provided. With her second nonfiction book about subjects not usually broached in polite company (her first was Stiff, about the secret life of cadavers), Roach takes a look inside the history of research on life after death. She starts with reincarnation research in India, but then takes her readers back to ancient Greece where it was believed sperm carried the soul, to post-Civil War Massachussetts where a physician sought to discover the soul's weight (21 Grams, anyone?). Among her other adventures, she takes a class in mediumship, goes on a mission to record the voices of the dead, and talks to researchers seeking proof of out-of-body experiences. Though a skeptic, she approaches these experiences gamely, honestly seeking answers even when no proof is in sight. It's all done with a witty narrative voice that still maintains respect for each subject Roach covers. Spook is thoroughly enjoyable, always interesting, and offers a nifty overview of how research on life after death has changed over time.
—JANNA SILVERSTEIN
 
DUSK
Tim Lebbon
Spectra, $13.00, Trade, 386 pgs.
I’ve come to admire Lebbon’s masterful blend of beauty with the horrific—he’s one of the few horror authors who has been able to give me those delicious chills—so when Dusk arrived, I immediately grabbed it up. Then set it down. Fantasy? I had expected another wondrous contemporary tale, like those I’m drawn to, but a promise on the cover— “Fantasy for grown ups” —and the dark feeling of the cover art, pulled me onto the first page. After that, I never let go. With Dusk, Lebbon takes a brazen walk into the darkest side of a dying world. With one stroke of words he shows us the decrepit spirit of man that dies with this damaged world; with another he brings us the hope and emotional connection to the few gems left in such an ugly world. Centuries before, the Mages corrupted this world’s gift of magic, leading to a Cataclysmic War that resulted in the Mages being driven out of the land. The land rots in the wake of this devastating war; natural magic is lost and people’s lives become meaningless, disposable. But when a glint of magic lives in a simple farm boy named Rafe, a thief, a witch, and others band together to protect the boy against deadly fanatics who cannot abide magic’s return, and the vicious Mages whose desire for this re-birth of magic seek to seize it for themselves. This stunningly visualized fantasy is beautiful, gripping, and delivers an unexpected emotional blow at the end. The sequel—Dawn—will arrive next year, so I’m happy to say, this wondrous and frightening tale of magic’s demise and the impenetrable human spirit, thanks to Lebbon’s darkly gorgeous style, will continue.
—HONNA SWENSON
 
LIVING NEXT DOOR TO THE GOD OF LOVE
Justina Robson
Spectra, $13.00, Trade, 464 pgs.
In Robson’s future world, most of everything in Metropolis is remade every day via the dreams of its residents. Think a little of Alex Proyas’ Dark City, and a little of Ursula LeGuin’s Lathe of Heaven. Our main character Jalaeka is looking for something magical, god-like, because, in fact, God is seeking him out. And then there’s Francine, a young runaway who has removed her identity chip and finds a castle and a scientist looking for the universe’s light and…well, wowsie woo! This book made my head spin, and not always for the right reasons. There are definitely a lot of neat concepts in here: bubble universes, uploaded personalities, magic, “Forged” personalities, genetic engineering, and so forth, but I spent most of the time utterly confused. In particular, the last half of the book seemed to defuse what Robson built up in the first half. I like horror, as many of you know, but the gore and blood in the second half of this one just didn’t seem to add anything to the story. Did I say yet that there is some neat stuff in here? There is! I wanted to like this one because I really liked Natural History (an earlier novel that is far more readable), but Living Next Door fell apart for me; Jalaeka ends the conflict with his world by dreaming up a new one, and that seemed to me to be a bit of a cheat. Still, there was some neat stuff in here. Read it for the neat stuff if you like.
—ROBERT BOYER
 
TROLL MILL
Katherine Langrish
Eos, $15.99, Hardback, 276 pgs.
Katherine Langrish returns to Viking-era young-adult fantasy territory with Troll Mill and more rousing adventures for Peer, Hilde and other characters from her previous book, Troll Fell. Now 15, Peer struggles to find his place in the world while his friends and adopted family are targeted by new dangers as well as the trolls, lubbers and millpond hags who share the world with humans. Peer's brutish uncles continue to make trouble, but Mill has a broader, and perhaps slightly darker, focus than Fell's orphan-in-peril plot. Once again, Langrish tells her story in language that's close kin to the sagas that inspired it and with details that keep it accessible to readers of all ages. My nephew and I both enjoyed Fell, and I'm looking forward to sharing Mill with him as well.
—RENEE STERN
 
THE COVENANT RISING & THE RIGHTEOUS BLADE
Stan Nicholls
Eos, $13.95, Massmarket, 327 pgs.
Stan Nicholls creates an intriguing world in The Covenant Rising and The Righteous Blade, where magic is common but used by totalitarian governments to control their citizens. Those aspects, in fact, kept me going through Covenant when Nicholls' writing style hampered my enjoyment of the story itself. But I'm glad I persevered, for I found Righteous a much smoother read; either I grew accustomed enough to Nicholls' style to overlook it, or he toned down the aspects that troubled me. Individual tastes on style questions mean it's worth deciding for yourself. The main characters — a young mage discovering his powers, a legendary fighter struggling with a curse, and a renegade militia captain betrayed by her superiors — come to life in these books without devolving into stock fantasy stereotypes. And the quest so far, to free an outgunned populace from their oppressive masters, has me hooked and curious about the next installment.
—RENEE STERN
 
ROGUE HARVEST
Danita Maslan
Robert J Sawyer Books, $19.95, Hardback, 383 pgs.
It seems not science fiction, but an inevitable fact, that we will face the demise of Earth’s precious ecology, as realized in Danita Maslan’s Rogue Harvest. Yet Maslan moves time far beyond the devastating losses of land and jungle to a sternly ecologically-minded era when people are driven off the land and crowded into cities to give the day back to the land. Extremist groups with political ties strictly protect a re-engineered Rainforest, thwarting medical researchers' attempts to harvest a material crucial to fighting a new and cruel disease. A politically-driven assassination of an outspoken man against such restrictions brings his tough and hard-headed daughter, Jasmine, and her suave partner-in-crime, Mane, beyond the need for the simple revenge of her father’s death, into the unlawful and risky business of harvesting the jungle to bring the medical researchers what they desperately need. Jasmine’s intense leadership of these rogue harvesters is a delight to follow; she is a many-faceted character, tough and tender, and as real as the jungle landscape she vows not even to bruise with her and her team’s presence. The jungle landscape, below and within the tops of the massive trees, is expertly crafted by Maslan, who must have lived in the trees herself to paint such vivid details into her story. A wonderful read!
—HONNA SWENSON
 
THE SILVER BOUGH
Lisa Tuttle
Spectra, $22.00, Hardback, 337 pgs.
With a straightforward narrative and an eye for the right detail at the right moment, Lisa Tuttle tells the story of three women and the week that changes their lives. Nell Westray, Ashley Kaldis and Kathleen Mullaroy are all Americans living in Appleton, a peninsula off the coast of Scotland once famous for its thriving apple orchards. As each woman discovers part of Appleton's mysterious past – the legend of its Apple Queen, the secrets of its magnificent old library, and the story of the young couple of who changed all the town's fortunes – a single golden apple appears in Nell's orchard and a dark-haired stranger comes to town. When a landslide cuts Appleton off from the modern world, the island's old magic begins to reassert itself. Nell, Kathleen and Ashley each find themselves caught up in that magic and drawn to the stranger, who holds the key to all of Appleton's mysteries. Tuttle knows how to create appealing, engaging, and lively characters. The Silver Bough is a well-written if fairly benign contemporary fantasy with touches of Celtic lore and just a dash of romance. Recommended.—JANNA SILVERSTEIN
 
THE MAN FROM KRYPTON: A CLOSER LOOK AT SUPERMAN
Glenn Yeffeth, editor
BenBella Books, $17.95, Trade, 240 pgs.
The Man From Krypton is one of BenBella Books' newest in its Smart Pop series. In print reviews in Talebones, I reviewed Taking the Red Pill, themed around The Matrix, and I also reviewed Seven Seasons of Buffy. These are just two of the many themed anthologies in this series. (Upcoming books will cover topics such as TV shows Lost, The Simpsons and Desperate Housewives, while genre-specific topics like The Unauthorized X-Men, and Star Wars on Trial (to be reviewed at a later date) are already making their way to bookstores. Now we get a closer look at Superman in a series of intriguing essays. Can we really get an entire essay out of Superman's costume? Sure, compliments of Lawrence Watt-Evans. Adam-Troy Castro tells us six things that don't make any sense to him about the Superman saga (for example, the fact that ordinary, basic, street-level thugs would think they had a chance in hell of besting Superman. Why do they even try?) There's a whole piece on Superman's mortal enemy, Lex Luthor. Larry Niven wonders why Superman can't get himself a girlfriend. Paul Levinson asks an interesting question: Why didn't Superman do more to stop Hitler and Tojo? Or why not other disasters, human as well as natural? Several of the essays mention the most recent TV show, Smallville, and others point to the upcoming movie Superman Returns. A lot of interesting, unique discussions and debates heat up The Man From Krypton. This book will please Superman fans no matter what age they are.
—PATRICK SWENSON
 
THE ATTRACTION
Douglas Clegg
Leisure, $6.99, Massmarket, 324 pgs.
Mr. Clegg is at it again with his wildly different novels based on the haunted house known as Harrow. Some novels are quiet and eerie, almost mood pictures in comparison to other novels, such as The Abandoned (a bloody work), and, of course, his newest, the short novel The Attraction. Well, no, it's not this story that's about Harrow, but the extra bonus novella entitled The Necromancer, which is a story about the creator of Harrow, told in diary format. But it's the main novel The Attraction, (short in itself), that I'll refer to here. It's about a roadside attraction that contains an ancient mummy waiting to come to life and scratch the flesh off people. Oh, nice. Some college kids think it's a prank, that the mummy is a fake, so they ignore warnings given at the attraction itself, and that's when all hell breaks loose. Honestly, I thought this was a lot of fun. Maybe not original, but Clegg's writing rarely disappoints, so that's always a bonus. It's like a guilty pleasure slasher film, but one peopled with A-list actors. I'd recommend this one to most horror fans, if for no other reason because you're getting two different stories in the same package.
—ROBERT BOYER
 
SISTER OF THE DEAD
Barb & J.C. Hendee
Roc, $7.50, Massmarket, 403 pgs.
The Hendees continue their fine Noble Dead series with the third offering, Sister of the Dead. The fourth book is actually out now (Traitor to the Blood), their first hardcover, and the fifth will be along the start of next year (Rebel Fay). In Sister of the Dead, Magiere and Leesil embark on a new quest: to discover the truth about their families. Unfortunately, it won't be easy. The mysterious Welstiel has other plans, and the vampire known as Chane joins Welstiel in an attempt to thwart the vampire hunters, and also tries to win back Wynn, who now travels with Magiere and Leesil. Their dog, Chap, now known to be part of the Fay, has his own agenda, and then evil sorcerers make their presence known. In a variety of back stories, we find out that the plot is extremely complex, the playing field immense. The storytelling continues to enthrall and entertain; it's a lot of fun and I look forward to book four. I recommend you start in on this series if you haven't already.
—PATRICK SWENSON
 
FLIGHT OF THE NIGHT HAWKS: Book One of the Darkwar Saga
Raymond E. Feist
Eos, $25.95, Hardback, 368 pgs.
No one disputes that Raymond Feist is a great author and one of the top working writers today. His Riftwar series has garnered him legions of new fans, and this, the first book of a new series, will probably bring him legions more. It is well-written, the characters are vivid, the action gripping. That being said…I didn't like it. My personal taste. I've never cared for 20th level D&D games, and that's what this book felt like to me; I could almost hear the dice rattling and smell the stale pizza. At what point does a reader give up because the characters are just too high-level and powerful to relate to? Lots of readers eat this stuff up, but it's not my cup of tea. Try it if you're into high-flying, over-the-top fantasy action/adventure.
—DAMEON WILLICH
 
ENGAGING THE ENEMY
Elizabeth Moon
Del Rey, $25.95, Hardback, 416 pgs.
I hate coming in on the middle of a series. I hate it worse when I get sucked in and know I'm now going to have to get all the other books. This one is comparable to Bujold's Vorkosigan saga and Weber's Honor Harrington series, but Moon gives the formula her own unique flavor, with sharp-eyed, hard-hitting prose, and edge-of-your seat action. Her main character, Ky Vatta, is not without flaw, but likable and dynamic, and the various interpersonal relationships between her, her beautiful cousin Stella, her extremely unorthodox and rather dangerous grandmother, Grace, and the various castaway members of her crew are all believable and intriguing. And how can you not cheer on a renegade underdog pirate hunter out to save the universe? Recommended.
—DARRAGH METZGER
 
JOHNNY AND THE DEAD
Terry Pratchett
HarperCollins, $15.99, Trade, 213 pgs.
The second book of the Johnny Maxwell trilogy is a different cup of tea altogether from the first book, and can be read entirely independently. It still features 12-year old Johnny Maxwell, but this time, instead of aliens in his computer game, he's seeing dead people everywhere. They don't like to be called ghosts, however, and they're as cantankerous, opinionated, eccentric, and determined as they were in life. It seems their cemetery is about to be plowed over and turned into an office complex, and they're not going to take it lying down. Johnny finds himself becoming the official spokesperson for the Life-Challenged, and history itself as he tries to save the last resting place (and last bit of undeveloped landscape) in his town. As the living citizens of Blackbury become more interested in the place of the dead, the very lively dead become more and more interested in this strange, modern world and the possibilities it holds. Eventually, the dead and the living both gain from this bizarre partnership. Recommended, and not just for kids.
—DARRAGH METZGER